TRACKS
New and Featured
We Are Like Dust OST - The Ghost
3:17
The Benz OST - Eulogy + Credits
2:50
Peephole OST - Antoine
0:47
Boreas
4:07
Classical
Blank Motet
3:02
English Progressions
2:23
Nymphs Finding the Head of Orpheus
4:45
Collision with Shostakovich
2:09
Electronic/Hybrid
Pièce pour radiateur et piano
3:25
Vision de Koechlin
3:10
Rooftop Round in 206
1:21
Kashmiri Finale
4:55
Traditional
Three Steps West (Take 2)
3:36
Silhouette de Montagne
3:36
Herdsman's Song
3:58
NEWS

We Are Like Dust premiering at RUFF on May 5

2017-04-26

It's happening! We Are Like Dust will play at Ryerson University Film Festival. The short film is directed by Laura Thurlow, and features an original score I've been concocting over the past couple of weeks. In this film we follow Bea's journey to redemption as she faces her past, fighting through obsessions and remorse in dreamlike (or perhaps nightmarish) sequences.

I made use of some unusual elements in the score, including lots of glass bowls, extended cello technique, and musical train wheels. No really, train wheels make music.

Tickets are $12 and you can grab them at Eventbrite. Also check out the program to see the other films that will be screening.

New website launched

2017-02-26

This site replaces the music section of osar.fr. The latter website sported an exceedingly austere design, which gave rise to a such a tide of negative feedback that I finally crumbled under the weight of inflammatory emails ("your website sucks"), and created this new fancy music showcase, featuring a cat.

Some really nice tools that were used in the process:


ABOUT

Who ?

Pierre Cusa, programmer & composer.

What ?

Film scoring, electronic and classical music production,

audio software development for musicians.

Find my software on osar.fr!

Where ?

I am currently based in Toronto and Montreal.

How ?

Most of my tracks are digital productions, made using a bunch of virtual instruments and synthesizers, but also some good old instrumental recording sessions. Other techniques used include field recordings, deep sampling of singular instruments and objects, algorithmic composition, experimental DSP algorithms...

Contact

Please send an e-mail to: pierre@osar.fr